Hennessy · 2021

Hennessy X.O
A Moonlight Odyssey

A digital Lunar New Year for a global Asian audience — built on seven tasting notes.

Hennessy X.O · A Moonlight Odyssey

A virtual Mid-Autumn Festival celebration designed around the moon's symbolic power — built on water reflection, lunar architecture, and the idea that we all share the same sky.

Creative Direction Art Direction Production Design Cultural Strategy
ClientHennessy
AgencyAdmerasia × International Secret Agents
RoleCreative Director · Art Director
HostHarry Shum Jr.
TalentNIKI, Hayley Kiyoko, Eddie Huang, Bohan Phoenix, Guapdad 4000, Omsom (Vanessa & Kim Pham)
Project LeadMaxwell Davidson
DirectorLJ Kim
DPAndrés Solórzano
Motion GraphicsVin Kim
ProducerTony K
Year2021

390M+

Total media impressions across press & paid

170

Press placements — including Vanity Fair, PEOPLE, Haute Living

+165%

Live stream engagement above benchmark

4.5×

Hennessy.com event-page traffic vs. previous LNY event

No matter where our odyssey has taken us, we all share the same moon. That single line became the brief, the design, and the night.



A Moonlight Odyssey.

Hennessy X.O's second-ever virtual cultural celebration — hosted by Harry Shum Jr., featuring performances from NIKI and Hayley Kiyoko, a mahjong session led by Eddie Huang, a culinary segment with the Omsom co-founders, and cocktails by mixologist Inga Tantisalidchai.


After the success of Lunar New Year — design the second.

Following the Gold Telly–winning Lunar New Year celebration earlier that year, Hennessy returned with a question that was both easier and harder: do it again, for Mid-Autumn Festival, but make it new. Hold the cultural depth. Hold the production value. Hold the audience.

The brief wasn't just to repeat a format. It was to build a second cultural celebration that could stand on its own — with its own central image, its own emotional register, its own reason to exist as a virtual experience rather than an in-person one.

Hennessy X.O Mid-Autumn — hero image

The moon is the only thing every viewer already shared.

Mid-Autumn Festival is, at its core, a celebration of reunion under the full moon. In 2021 — with the diaspora separated across continents, families still unable to gather, and a global audience watching from their homes — that symbolism wasn't just appropriate. It was the most honest creative anchor available.

The strategic line we built around was simple: no matter where our odyssey has taken us, we share the same moon. It connected the cultural ritual of Mid-Autumn, the emotional reality of the moment, and Hennessy X.O's brand line "each drop is an odyssey" — all in a single image. The moon became the structural center of every design decision that followed.

From there, we built outward: the talent, the stages, the cocktails, the rituals. Each segment was its own world, but every world had a moon in it.

A Moonlight Odyssey — water reflection moment

A moon reflected in water — the stage that earned the Telly.

The central design moment was a sculptural moon installation set above a stage flooded with a shallow layer of real water. As artists performed, the moon reflected on the stage floor — doubling, rippling, breaking with every step.

It was a literal translation of the campaign's emotional thesis: a reflection of the same moon, doubled, separated, but always the same source of light. The water also gave the performances something stillness alone couldn't — every movement now had a visual echo, every footstep made the moon shift.

It's the design decision that earned the Silver Telly for Art Direction. And it's the image that anchored every press feature that followed.

"The moon was the message. The water was the proof that we'd built the message into the floor."

Working with practical water on a virtual broadcast set required tight coordination across lighting, camera, performance choreography, and safety. It was the kind of design choice that's easy to sketch and hard to execute — which is exactly what made it worth the effort. A reflection isn't a reflection if it's rendered. The reality of it was the work.

Water reflection — wide stage shot
Performance moment 1 Performance moment 2 Performance moment 3

A different moon for every story.

The lunar motif was treated as a system rather than a single asset. Each performance and segment had its own interpretation of the moon — a glowing orb, a backlit disc, a projected sphere, a marble-textured installation — color-graded and scaled to the energy of that artist and that moment.

I directed the spatial design across every environment: Harry Shum Jr.'s warm hosting lounge, NIKI's red-leafed autumn stage, Hayley Kiyoko's pink-draped dreamscape, Bohan Phoenix's red-lit nocturnal world, Eddie Huang's mahjong room, and the Omsom culinary segment. Each carried its own emotional register; all of them carried a moon.

"One symbol. Eight rooms. The same sky."

Designing a virtual event with this many environments is a coordination problem disguised as a creative one. Every space had to feel singular while staying inside one visual world, and the cuts between them had to feel like turning your head — not changing the channel. The moon was the connective tissue that made the whole night feel like one continuous evening.


Six stages. One Moonlight Odyssey.

The evening moved through six designed environments — hosting, performance, performance, mahjong, culinary, and cocktails — each anchored to one of the night's cultural themes: family, heritage, reunion, ritual, food, and toast.

My role was to author the visual concept for each environment — designing color, lighting, the moon's expression within that space, and the gestural choreography of how the cast and camera moved through it.

Image — Harry Shum Jr.

Act 01

Harry Shum Jr. · Hosting

A warm modern lounge designed as the night's emotional center — the place audiences returned to between performances. Harry guided the toast and the through-line of family memory.

Image — NIKI

Act 02

NIKI · Autumn Stage

A red-leafed performance world built around a full moon installation — designed to feel like the inside of a Mid-Autumn Festival memory.

Image — Hayley Kiyoko

Act 03

Hayley Kiyoko · Dreamscape

A pink-draped, water-reflected stage with a glowing lunar sphere — the most photographed environment of the night. Built for the audience that saw themselves in Hayley's vulnerability.

Image — Eddie Huang Mahjong

Act 04

Eddie Huang · Mahjong

An intimate game room with Eddie, Devin Troy, Patia Borja, and Olivia Sui — designed to feel like a family table on a Friday night, with mahjong as the ritual everyone recognized.

Image — Omsom

Act 05

Omsom · Heritage Through Flavor

A culinary segment with the Pham sisters — co-founders of Omsom and daughters of Vietnamese refugees — on the stories and flavors carried inside holiday dishes.

Image — Bohan Phoenix & Guapdad 4000

Act 06

Bohan Phoenix & Guapdad 4000

Two nocturnal performance worlds — red lanterns, neon, projected moons — closing the evening with the artists who carry the night into the city.



A second virtual celebration that beat the first.

390M+

Total media impressions across press, paid, and social — outpacing Hennessy's previous benchmarks.

A Moonlight Odyssey earned two Silver Tellys — for Art Direction and for Virtual Events & Experiences — and reached a global cultural audience through 170 press placements, including features in Vanity Fair, PEOPLE, and Haute Living.

The live stream itself performed 165% above engagement benchmark, and the event page on Hennessy.com drove 4.5× the traffic of the previous Lunar New Year event — proof that the second virtual celebration didn't repeat the first, it surpassed it. The success of this work cemented Hennessy's commitment to virtual cultural celebrations as a permanent format, not a pandemic stopgap.